Le Pétrole en gros ne Peignant pas de Minimum
 
 


REMBRANDT Harmenszoon van Rijn The three crosses oil painting reproduction


REMBRANDT Harmenszoon van Rijn
Les trois crosses
The three crosses
ID de tableau::  42711
 MK169 Californie. 1660 iv de l~état. Sécher l~aiguille et gravant sur en papier38.4x45cm
MK169 ca. 1660 State iv. Dry needle and etching on paper 38.4x45cm

 
 
   
      


REMBRANDT Harmenszoon van Rijn The three crosses oil painting reproduction


REMBRANDT Harmenszoon van Rijn
Les trois crosses
The three crosses
ID de tableau::  42712
 MK169 détail d~III de l~état MK169 1653 British Museum A Récompensé
MK169 detail of State III MK169 1653 British Museum Rewarded

 
 
   
      


RUBENS, Pieter Pauwel The Three Crosses oil painting reproduction


RUBENS, Pieter Pauwel
The Three Crosses
ID de tableau::  43906
 c. 1620 Oil on canvas

 
 
   
      


REMBRANDT Harmenszoon van Rijn The Three Crosses oil painting reproduction


REMBRANDT Harmenszoon van Rijn
The Three Crosses
ID de tableau::  63956
 1653 Drypoint and burin printed on vellum, 381 x 438 mm Metropolitan Museum of Art, New York Rembrandt's romance with drypoint in the 1650s and 1660s is one of the important milestones in the history of printmaking. His inventiveness in this medium led to the creation of compositions that offered more complex visual information and variety of drama than previously had been imagined, and whereas earlier intaglio prints had been translucent and in general rather bodiless, Rembrandt's had a structure and richness of surface that approximate many of his great oil paintings. Moreover, they are illumined by an expressive power that never fails to pierce to the heart of things, whether the subject be, as it is here, a momentous scene from Scripture or the simplest study of still life. , Artist: REMBRANDT Harmenszoon van Rijn , The Three Crosses (second state) , 1601-1650 , Dutch , graphics , religious

 
 
   
      
REMBRANDT Harmenszoon van Rijn
Born 1606, Died 1669
The Three Crosses
1653 Drypoint and burin printed on vellum, 381 x 438 mm Metropolitan Museum of Art, New York Rembrandt's romance with drypoint in the 1650s and 1660s is one of the important milestones in the history of printmaking. His inventiveness in this medium led to the creation of compositions that offered more complex visual information and variety of drama than previously had been imagined, and whereas earlier intaglio prints had been translucent and in general rather bodiless, Rembrandt's had a structure and richness of surface that approximate many of his great oil paintings. Moreover, they are illumined by an expressive power that never fails to pierce to the heart of things, whether the subject be, as it is here, a momentous scene from Scripture or the simplest study of still life. , Artist: REMBRANDT Harmenszoon van Rijn , The Three Crosses (second state) , 1601-1650 , Dutch , graphics , religious

Related Paintings to REMBRANDT Harmenszoon van Rijn :.
| the boys in Enmaus | The Entry of Christ into Brussels in 1889 (nn02) | The Rape of Europa | A Teacher and his Pupil sg | Crucifixion with Donors and Saints fdg |

        
 
   
 

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